5 Movies That Could Be Adapted Into Unique Games

It’s not unusual for big studios to produce video game tie-ins for movies, but how often to we see a video game adaptation of a live-action movie that is something other than 100 percent action? How often do developers take advantage of the story framework provided by film to build a unique gaming experience?

It’s a shame, because as much as video game people love to throw out the word “cinematic” to describe games they like, that almost never refers to anything other than the $200 million Michael Bay-movie version of cinematic. There is an endless discussion of the relative lack of variety in video game genres, yet few developers with some money are taking aim at going in truly new directions. They might be evolving slowly over time, but still avoid going completely fresh with it.

So let’s help developers out with a thought exercise: here are five films that are seemingly anathema to standard gaming, turned into game concepts well outside the normal parameters the industry puts on itself. You’re welcome, industry.

The Talented Mr. Ripley

There are a number of compelling reasons to craft a game about Tom Ripley, the decidedly amoral con man created by Patricia Highsmith and best realized on the big screen by this film. But the obvious and most convincing is that it would be a game about being a wily bastard who has to outmaneuver his foes with his mind, rather than his fists or a supernatural skill with firearms.

Anthony Minghella’s filmic version of Ripley is actually perfect as a game protagonist. Young Ripley is tasked with convincing Dickie Greenleaf, a waspy upper class twit of similar age, to abandon his high-rolling Italian lifestyle and return to the U.S. Pretending to have been a classmate of Dickie’s at Princeton, Ripley bonds with Dickie and Dickie’s fiancee, Marge, at least until very bad things happen. Ripley, who Minghella wrote as more overtly gay than Highsmith ever claimed him to be, starts to fall for Dickie and becomes jealous of Marge. But Ripley’s attempt to make a pass at Dickie goes wrong: Dickie accuses Ripley of being a liar, they fight, and Ripley commits his first murder.

From there, Ripley attempts to avoid being caught, while also trying to maintain his newly affluent lifestyle. Naturally, he ends up stealing Dickie’s identity, setting himself up in a swanky new apartment and killing a couple other guys, including another love interest.

How does this work as a game? The first step is to steal David Cage’s design philosophy wholesale. Think the first half of Indigo Prophecy, in which the hero has to deal with having unwittingly committed a murder. Throw in dynamic dialogue options that can be influenced by Ripley’s emotional state. You could keep enough control of a scene that Ripley stays on top of his s–t, but include a mechanic that would allow the saying of the wrong thing to result in the murder of someone you might otherwise be able to spare.

Yes, it would be mostly dialogue-driven, with some action-based choices (say, for example, where to hide a body), and not strictly adherent to the plot of the film. But given Ripley’s propensity for emotional outbursts, tying dialogue options to his innate emotional reaction (“maybe feelings are feelings because we can’t control them”) would create a dynamic game experience vastly different from what is normally sold to us.

In The Cut

For some reason, there really aren’t very many erotic thriller video games. Enter Jane Campion’s super erotic mystery thriller about an English teacher named Frannie. Frannie witnesses a blowjob in a bar bathroom; the next morning a severed limb show ups on her street. This involves her with a police detective so creepy he makes a pass at her at the crime scene.

The tale is chilling — there is reason to believe the detective is the murderer, and the version of New York presented in the film is that long-lost dystopia that youngsters like me know only from films like Taxi Driver or Death Wish. Read: Frannie is never really safe at any point in the story. Meanwhile, there’s hot sex everywhere, including an awesome scene in which Frannie handcuffs the detective to an exposed pipe because she’s scared of him, and then bones him anyway.

This movie isn’t so much about Frannie solving the murder: rather, it’s intent on invoking a real sense of paranoia in the viewer as she becomes wrapped up in the case. In that way, a game version would probably be best done as the sort of mechanics-lite experiences that The Chinese Room and The Fullbright Company have been putting together.

Interactivity is still necessary, and where dialogue options could be included to allow the player to inform Frannie’s personality, the story has to stay within a pretty specific trajectory. Some dynamic, quick-time-event-powered foreplay would be nice as well, if the developer could get away with it, but there’s obviously only so far a developer can go with sex/nudity, even eight years after Hot Coffee.

And, yes, the experience of playing as a woman who navigates a The Warriors-style NYC alone under the constant threat of physical violence, while having an explicit relationship with a man she fears is a serial killer, would upset a lot of folks as they play, but that’s the point. The movie is supposed to unsettle you immensely, and the game should operate under the same pretense.

The key to making it all work, I think, would be to give the player power over how Frannie interprets events, which could in turn alter her perception of the other aspects of the game. If one chooses to, say, not be intimidated by the detective’s aggression, then perhaps walking home will be less of an ordeal. At the same time, taking that stance might also heighten the disturbing nature of later occurences.

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5 Comments on 5 Movies That Could Be Adapted Into Unique Games


On October 5, 2013 at 12:47 pm

A slow news day I take it Phil.

Films that are made to games should always be avoided, they are never any good. Something is always lost in the adaptation, I am not sure asking for more of the same trash is a good idea.


On October 5, 2013 at 1:51 pm

“Always” is too strong a word, aedelric. Let us not forget the greatness that was Goldeneye for N64.


On October 5, 2013 at 4:08 pm

I’m tempted to rattle off the many great movie-based games from the 8-bit and 16-bit eras, but that wouldn’t be a fair comparison. Still, I think Aedelric is being a bit harsh because there’s been plenty of at least decent film adaptations (though the only ones from the last few years I’d say are actively ‘good’ are From Russia With Love, King Kong and Toy Story 3) and, crucially, there have also been some ok games that have been based around famous films but have their own stories, like the Godfather games, Scarface, Escape from Butcher Bay and several Star Wars games, to name a few. That’s the sort of thing Phil’s talking about here, I think – films where (with the exception of Silver Lining’s Playbook, which admittedly I think Phil’s really stretching with as it sounds like it would totally suck balls no matter what the gameplay mechanic was – if you’re going for that sort of ‘story-only’ game, it NEEDS to be an original story or else there’s no justification for playing it over just watching the film) the passage of time is long enough that people will still remember them, but there’s no mad rush to get the games developed and put on shelves before they’re ready to ship because the film’s not current anyway. Plus, they wouldn’t need to follow the plot of the films precisely, they can be sequels or prequels using the same cannon.

I personally would love to see a game or series of games based DIRECTLY on A Song of Ice and Fire, rather than trying to be tie-ins with Game of Thrones. It would be interesting to see someone else’s reimagining of the universe, its characters and its morals.


On October 5, 2013 at 9:10 pm

I’m not going to say Movie games are bad (all of them at least), but I doubt anybody will disagree when I say all the “best of the best” games come from original ideas. I find it more odd that some games inspire movies. Like the halo movie for example (PS why does that movie exist, I mean yea yea milk the market but who would actually like/buy a movie based on a video game that isn’t a documentary of some sort))


On October 6, 2013 at 1:20 am

You are not wrong SupremeAllah, but that is quite a special case, for every Goldeneye or Escape From Butcher Bay we have games like Tomorrow Never Dies, Enter the Matrix and countless others.