The Last of Us Review: A Story of Stealth and Scavenging

Update: Though Game Front received an early copy of The Last of Us for review, at that time, multiplayer was not accessible — and thus, without reviewing the full game, we felt it was unfair to assign it a final score. With the game officially released, we’ve had time to test the multiplayer portion. You’ll find the multiplayer discussion, as well as the final score, on Page 4.

Early in The Last of Us, protagonists Joel and Ellie are searching their fiftieth or so abandoned apartment for broken scissors and rubbing alcohol — among the most important and abundant supplies of the apocalypse, it seems — when Ellie begins making weird blowing noises.

“What’re you doin’?” Asks Joel, as he opens yet another empty drawer some designer put there just to f–k with the player.

“I’m trying to whistle,” Ellie returns. “I don’t know how.”

Then Joel attempts to demonstrate proper whistling technique — and finds that he can’t whistle, either. The two wander the room for a second, blowing and producing nothing but the sounds of bits of spit flying through the air.

Moments like this (which I’m paraphrasing from memory) happen quite a bit during The Last of Us, taking place between major set pieces or the game’s primary, stealth-combat action sequences. They’re by far the best moments in the game. They are what makes The Last of Us a game worth your attention.

And yet, you may well miss them. One of the major flaws of the game is that The Last of Us so often directs your attention elsewhere with the busywork of endlessly scavenging for supplies, and too many combat scenarios with too few variations.

The Last of Us often is a great bit of storytelling — but a lack of cohesion means it sometimes feels like gameplay is hindering that story, not helping it.

The Last of Us
Platforms: Playstation 3
Developer: Naughty Dog
Publisher: Sony
Released: June 14, 2013
MSRP: $59.99

Since story is, quite obviously, the major draw of The Last of Us, it seems appropriate to discuss it first. Set in a post-apocalyptic version of the United States in which exists a fungus that can turn humans into creatures that are ostensibly zombies, it follows the story of a smuggler named Joel who lives in a walled-off quarantine zone under military control in Boston. There, he engages in all manner of illicit activity, not the least of which is sneaking around chest-high obstructions, strangling his enemies to death. This is not a nice man.

Joel is pretty much Cold-Blooded Lee Everett Who is Okay with Murdering People.

It’s not long before Joel accepts a job from the Fireflies, a group of radicals dedicated to … something. As a nationwide group, they seem to be angry about the functional police states that the quarantine zones have become in the 20 years since the outbreak began, but it’s never really clear, nor is it narratively important. We do know that the military authority and the Fireflies are fighting, and the Fireflies, in a desperate moment, enlist the grizzled Joel to take 14-year-old Ellie out of the Boston QZ to meet up with an escort group elsewhere in the city.

Things take a somewhat-predictable turn soon, though: The escorts are dead and Joel ends up being Ellie’s caretaker. They cross the country in an attempt to find the Fireflies’ headquarters, and in so doing, get in a lot of adventures along the way.

Really, the various events that take place in the interim are fairly standard for post-apocalyptic stories, and seasoned fans of this sort of thing will see the twists coming a long way off. In fact, the story will likely remind many players of last year’s The Walking Dead from Telltale Games, as it has a similar premise and hits a lot of the same beats. In simplest terms, Joel is pretty much Cold-Blooded Lee Everett Who is Okay with Murdering People.

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17 Comments on The Last of Us Review: A Story of Stealth and Scavenging


On June 5, 2013 at 11:29 am

The “Gameplay takes away from the story” thing seems to be a recurring theme this year


On June 5, 2013 at 2:11 pm


Yeah, I’ve noticed that, too. Perhaps seeing that often enough might get more devs to take a hard look at whether the same approaches to gameplay really serve the story they want to tell.

Anyway, I’m looking forward to this game.


On June 5, 2013 at 6:41 pm

Yeah Gameplay is bland. Stuff annoys me like vehicles and furniture that you cannot search. The combat is pretty dumb and frustrating. It really takes away from the horror and fun of the game like for example shooting at enemies and being seen is pointless. The crafting items is so confusing at times. Ah well. I’ll pass on this.


On June 16, 2013 at 6:58 am

Great review Phil! You’re probably the only one who wasn’t afraid to talk about the negative things and gave an honest review, not just just blindly praising the game to the skies.


On June 16, 2013 at 9:09 am

The mainstream outlets had already made their decision to award this perfect or near-perfect scores the moment it was announced, entirely due to Naughty Dog’s involvement. Had a lesser known developer released it, they would have had no qualms about criticising its weaker elements. It’s pointless even calling themselves ‘journalists’ anymore, they might as well call their magazines “Highest Bidder Monthly” or “Fanboys Who Schmoozed Their Way Into Cushy Industry Jobs Far Away From the Plebs.”

The game’s good but giving it 10/10 just because of what you WANT it to be is pitiful. Not as bad maybe as all the great scores given to recent Final Fantasy games because they legitimately suck, but still intellectually dishonest and analytically damaging.


On June 16, 2013 at 4:56 pm

This SPAM site is on meta?? Did u even play the game head MS sucker


On June 16, 2013 at 5:02 pm

this review is very bad , tomb raider 92 , the last of us 80 , what the , how you want to be credible !


On June 17, 2013 at 5:23 am

This has got to be by far the best video game, let alone Playstation game, i have played. Period. The balance between story and gameplay was outstanding, the constant tension and subseqeuent relief after each scene was spectacular. The periods where you just get to walk around and take in the surroundings mean so much more after going through an intense battle, especially if you’re low on supplies. The Last of Us did live up to the hype, and then some.


On June 17, 2013 at 9:40 am

The last three comments were clearly written by Sony/Naughty Dog staff. They don’t even seem genuine.


On June 22, 2013 at 1:56 pm

A fine balanced review. I agree with many of the comments over the scavenging aspects of the gameplay but the Story still wins me over. It’s pretty rare that you get something so compelling and real.


On June 23, 2013 at 3:49 pm

I finally finished the game. I did think the game play and the scavenging ran on being repetitive, but the story and Joel’s and Ellie’s interactions makes it worth it. I do wish in the story they gave us information to how the infection started, was it natural or man’s furthering tinkering with nature that caused the infected.


On June 25, 2013 at 1:06 am

I find it a bit unfair that Tomb raider did get a higher score and they have pretty much the same cons except for in tomb raider they left out the
•So many human enemies to fight (and kill) during the course of the game that it gets ridiculous and undermines the narrative — despite emphasis on story, like every other game, you’ll still shoot scores of random, faceless nobodies as the central mechanic
also I thought The Last of Us had a great sound track and left me wanting more, which I love in games!

Phil Hornshaw

On June 25, 2013 at 10:06 am


It’s tough when people bring up comparisons to other reviews. I reviewed Tomb Raider several months ago, and of course, all the circumstances of that game and its release were different from The Last of Us. It’s impossible to compare every game to every other game, and every moment in which a game is reviewed is unique. Instantly, when I review a game, I’m weighing it against every other game I’ve ever played. Everything changes with each new review.

So the point is this: there is no comparison between Tomb Raider’s score and The Last of Us’ score. If I were to play the two games back-to-back and directly compare each one, it might work. But it’s impossible to do so. Maybe if The Last of Us had come out first, it’d have the higher score. Maybe not. Maybe Naughty Dog is expected to do amazing things and Tomb Raider was a surprise. Maybe not. But from my point of view, Tomb Raider doesn’t fail for having huge numbers of enemies, where The Last of Us does. The two games are attempting fundamentally different things, and that explains a big part of why what might ostensibly be called the same problem is more forgiveable in one situation than another.

Anyway, how I feel when I play a game, about that game and what it’s trying to do and whether it accomplishes that thing, is a solitary moment. So it’s really hard, and even problematic, to say, ‘well, this game got this score and that game got that score and that’s a travesty.’ If you’re looking at the scores over reading the reviews, you’re wasting your time.


On July 8, 2013 at 8:17 pm

Good review. I think what most people like about the game, me included, is just the general atmosphere of it all. It was done well, and that’s what kept me going. The actual gameplay was an afterthought. I had fun with some of the stealth, but for the most part I just wanted to hear the next conversation or see the next cutscene. I didn’t give a crap about the gameplay, and only crafted stuff so I could kill things faster so I could see the next cutscene. You can’t really “rate” a game like this, because I love the game for the reasons I wanted to love it (atmosphere) and didn’t give a crap about the other sections (gameplay) that I didn’t really want to care about in the first place.


On July 14, 2013 at 5:33 am

How dare you give your honest opinion!!! You are supposed to give it a 10 no matter what otherwise you are uncredible! 8 /10? more like Hate/10 you horrible critic!


On January 29, 2014 at 10:34 pm

I agree with the mechanical feel but if you were to think about if the apocalypse ever were to hit like this in scenarios that are gone through in the story, most if not all WOULD be violent. it is one of the saddest truths of humans, when it comes down to it, there are more violent people then there are peaceful. Now sure you would find a couple along the way BUT the odds of that would be against you and that is part of the reason they did that i believe. I must say though…In my opinion the multiplayer is rather hideous. Having a scattered objective type atmosphere was just to much of a stretch for me.

Phil Hornshaw

On January 29, 2014 at 11:24 pm


That’s fair that violence would be something of the norm, but what The Last of Us lacks is variety. It’s never “Our tense encounter with a random group goes bad,” or “We inadvertently invade the space of paranoid-but-peaceful survivors (like in, say, I Am Alive).” It’s always running across the marauders, who are especially evil and without nuance.

In fact, as far as the violence is concerned, I’m not sure I buy that it would necessarily be quite the norm in most situations One has to assume that while most survivors have the expectation of violence, avoiding violence is almost always in everyone’s best interest and would be a general goal for most people. Every violent encounter runs the risk of injury that leaves you vulnerable to future attack or potential infection or sickness, and that means even a relatively small injury can result in death in a world with limited medicine. Add to that the scarcity of bullets and the like, and just the risk of losing, and fights become something best avoided. You can also look at human history for examples — there are plenty of periods with fewer laws and overarching governments in which violence was more of a part of life, but it wasn’t the ONLY part of life.

So from that standpoint, I think there’s potentially just more that could be done here. Fallout might be a good example, really; you encounter a wide range of people who have a wide range of motivations and methods of dealing with you, and one would think the same would be true in a game like The Last of Us.